Review: Naamah’s Curse by Jaqueline Carey

I waited for this book for what seemed like years (it was about 3 months) and read it the whole way through in bed last night. And then I was cross with myself because the next book will probably be quite a while in coming. I just love Carey’s books. Kushiel’s Dart caught me and captivated me and her writing has only gotten better since then. Naamah’s Curse is the second in Carey’s latest trilogy (maybe a quad? We can hope), which is set a few generations after Sidonie and Imriel’s reign in Terra d’Ange and features a new main character, Moirin. You can read my review of the first book, Naamah’s Kiss here.

Naamah’s Curse explores some new lands and re-visits others. In the beginning, Moirin is still on the trail of Bao, who holds the other half of her soul. After a long, treacherous journey across the Tatar inhabited steppes in winter, Moirin finally catches up with her lost love. But the reunion is not what she’s longed for – Bao is married to the daughter of the leader of the Tartars, the Khan, who captures Moirin and sells her to followers of Jeshua ben Josef. Seeing Moirin torn from Bao, cut off from her magic and force to convert to a harsh religion in a foreign land is gut wrenching. Even when she escapes, the taint of the cruel priest follows her back across the tartar lands and all the way down to the Himalayas. Once again in search of Bao, who is in great danger, Moirin finds her fate has become even more tangled with those she meets along the way. She must defeat the Falconer and his wife, the Spider Queen in order to free Bao and a harem of unwilling consorts, but at what cost to herself? Will her divine gifts be taken from her now, after she fought so long to not surrender them to the Yeshuite god? And will Bao and her ever be free to go home, together?

While Naamah’s Curse still has the greatly detailed and intimate sex scenes that are one of Carey’s trademarks (I suggest a cold shower midway through reading, just to keep you on track), it also examines some of the great issues that have plagued mankind since the beginning. What is belief? Is it a choice? Can faith be thrust upon someone? Can someone change so completely they are unrecognisable? And then, could they change back? While Moirin stays true to her Maghuin Dhonn and loyal to the Bright Lady, Naamah, Carey doesn’t hesitate to delve into Christian dogma and demonstrate that there are good and true and beautiful parts to that religion. What is abhorred, in the book and in real life, is the zealous methods of conversion and the harsh condemnation of those who change differently. This rang very true for me – everyone should be able to believe what they wish to believe, without being forced or threatened or harassed. Each religion has it’s beauty and it’s darkness – the beauty from the divine and the darkness from the fallibility of man who deciphers the divine message. I’ll stick with my ‘An it hurt none, do as you will’ as a creed and I’ll thank you not to even bother printing your religious views and arguments on my blog, but I did want to note that the book gives a fair accounting of a variety of religions, neither condemning nor encouraging one over the other.

Enough religion, lets talk about sex. Carey’s writing is at its best at two points. When she’s asking – through Moirin’s voice – questions about the way people treat each other and why and when she’s making people naked and beautiful. Moirin is definitely not a monogamous character. I can’t actually bring to mind any of Carey’s main characters who are, with the exception of Jocelyn. While some will hum and ha about this, instead it is a thing to be celebrated. A natural act of love, written in beautiful (and never vulgar) prose, is something to be celebrated and cherished and more writers should practise the art of writing believable and gorgeous sex scenes into their fantasy. Hell, into their every day novels! I think this is why Carey’s writing sings to me so – while it’s never boring and there is high fantasy and epic adventure on every second page, what really gets me is the beautiful attitude towards sex and love and worship that Carey gives all her main characters*, often combining all three into a single act. More people should take on this attitude.

I actually think that this series demonstrates Carey’s fulfillment as an author. She really has excelled herself by taking religion, sexuality and travel and weaving it all together into a fantastic high-fantasy adventure which people will enjoy whether or not they stop to think about the bigger issues behind fighting demons and finding your soulmate. Buy the book. Or borrow it from a library/read it on-line and save trees. And while you’re at it, buy me a kindle so I can save trees too. Now I’m off to whinge about the fact that I finished Naamah’s Curse the day I got it and now have to find something else to read this week. Any recommendations? Especially with juicy, well-written sex scenes. Let me know in the comments what you guys have read lately! xx

*Even ones who have been badly treated, like Imriel, are still able to see the divine in the act of sex.

Review: Shadow Prowler by Alexey Pehov

Shadow Prowler was published in Russia in 2002 and only translated this year. I wish they had translated the whole series (from what I can gather, its quite popular in Russia) in one go, because I’m rather hooked and can’t wait to see what happens next. I found this novel on the ‘new books’ shelf at the library and grabbed it – it totally satisfies my cravings for decent, original, fast-paced fantasy and my obsession with anything Russian!

The story is about Harold, a master thief, who is commissioned by the king to sneak into an ancient tomb which has been overrun by an unnamed evil in order to recast the binding spells keeping a vengeful wizard and his rampaging army out of the kingdom. In the meantime, there seems to be a new threat arising in the mysterious Master, who has spies and minions everywhere. Harold sets out with an unlikely bunch of companions – a group of soldiers, magical elves, the kings jester and a long-dead archwizard who only exists inside Harold’s head. When the elves cast a spell in order to help Harold enter the tomb, Harold finds himself reliving memories that don’t belong to him. In order to survive the journey and the task which lays at the end of the road, Harold will have to piece together the puzzles of the past and gather every skill he has ever learned and even perhaps listen to a nonsensical prophecy sung by a tiny green man wearing a jesters bell cap.

It takes a few chapters to get used to how this book is written. It’s in first person but also completely in present tense. While this makes somethings a little hard to follow, it has the advantage of drawing you right into the story. The little flashbacks are put in chapters of their own, in italics, so it’s easy to see how they are separate from the main story, but get interwoven in. the characters are well drawn and the development of Harold and Kli-Kli and the relationship between them is just so rich and intricate, you feel like you have known them for a lot longer than one book. the mythology is fantastic, drawn partially from Russian mythology and partially from Pehov’s brilliant mind. I really can’t wait for the next installment to be translated. Andrew Bromfield has done a fantastic job and the prose is flowing and melodic throughout – I couldn’t even tell it was a translation. Some beautiful little pieces of prose make your heart sing and your mind forget that you’re reading fantasy, not high literature. Even people who don’t appreciate the fantasy genre (get OFF my blog!) will enjoy this tale – while it does have elves and orcs and shamanism, it also has brilliant renderings of tactical battles and gorgeous descriptions of landscapes and a heavy dose of breathtaking adventure.

Review: The Reapers are the Angels by Alden Bell

When I told Richard that I finished this book, he asked if it was any good and the only word I could find to describe it was devastating. And then I sat at the computer for 20 minutes trying to write a review that didn’t include a spoiler. It’s still not coming easy.

This book is set in a post-apocalyptic America where zombies (the shuffling, moaning kind, not the super fast ones) attempt to feast upon the scattered living population while hillbilly mutants distill the zombies into chitin-inducing stimulants. And in the middle, a fifteen year old girl is trying to get redemption for her sins, but that redemption is following too close on her heels for her liking. And if you are not already racing off to beg, borrow or steal your own copy from that brief endorsement, then you are dead to me (with a pencil shoved into your brain via your nostril to make sure you stay that way).

The book has some quirks. Dialogue isn’t contained within quotation marks and at times it’s a little hard to tell if the main character, Temple, is talking to herself, someone else or just inside her own head. The technique adds to the ambiance of the novel however, and is worth taking the time to puzzle through. The speech patterns and dialect of the characters is also peculiar. It is how I imagine people would talk in post apocalyptic America where only the strong and ruthless survived and then spent a little too much time alone with only themselves to talk to. The only inconsistency I found was that Temple is illiterate and was raised in an orphanage and in foster care before setting out on the road, but her speech is peppered with words and ideas far above what you’d expect for her position.

The book is full of lofty ideals slightly twisted by the fact that there are zombies staggering around trying to eat people. Temple believes in God, a god “too big to need the supplication of the puny wanderers of the earth”. She believes in fate and beauty and revenge. And she tries, in her own way to live up to these beliefs, taking the mute Maury across country to find his family despite the fact that it leaves her open to danger. It’s a novel about the hope of humanity in a country fallen to ruin. And at the same time, the book is a judgment on mankind’s ability to fall back onto base instinct. The ‘slugs’ retain enough memory to hold hands, to climb aboard a still-moving carousel, to endlessly repeat actions they made while alive. They are still human, and yet not. They are driven by a hunger which pushing them forward constantly, despite threat or futility. The want to feed. The need for flesh. Mindless and craving.

The book describes my ideal apocalypse, if ever an apocalypse could be considered ideal. Slow moving zombies are only dangerous if you stay still long enough to have them mob you or if they take you by surprise. Temple has her gurkha knife, but there is no shortage of guns and ammunition left by evacuees. And she picks up 6 packs of coke in abandoned corner shops all across the country. If we must suffer a government-released zombie virus that heralds the end of the world, sign me up to be a reaper.